A quick search suggests this appears to be a revised version of Tanita’s MC-980 scale, which is intended for professional use and costs $13,000 USD anyway - even without King of Fighters.
So not really any difference, just a very unusual collab and bit of fun for marketing! :)
Of course they do, but let’s unpack that.
When people buy a new car who already have one, they generally do it because either 1. they think it will bring some material benefit over their old car, or 2. they want a new car simply for vanity reasons.
Looking at the PS5 Pro, there will absolutely be people who think “I want to upgrade to the Pro just for bragging rights” but I’m pretty sure the majority of consumers wil simply think “This doesn’t play any games my PS5 can’t already” and pass on it.
Not if they already have a PS5, though.
There’s also the option of electronic scales which are rechargeable via USB
Haha yeah. People are so accustomed to short TLDs that ‘smith.technology’ just intuitively feels kinda wrong, and it still feels that way to me, even as a tech person who knows it is perfectly valid.
You’re thinking like “smith dot technology dot what?”
Another reason is brand identity.
Using ‘.tech’ or ‘.flights’ or .sports’ for your site feels too “on the nose” and gives vibes of like browsing some directory where things are categorised and sorted. Even worse it implies there are other sites under the same category, and those other sites may be competitors, and this dilutes strength of brand.
lt also suggests strongly what the business does, and while that might seem desirable at first it actually isn’t from a corporate perspective because it means the company becomes tied to their business area and can’t expand and grow out of it into other things.
I think this is a major part of why descriptive TLDs continue to be less preferred over ‘meaningless’ two letter TLDs, because companies want the focus to be on the main part of the domain, not the TLD.
That is likely part of it and also explains why languages like Japanese are more tightly grouped, as there is less spread in word length for Japanese versus English or Italian.
I would imagine this is because there is a ‘comfortable’ rate of information exchange in human conversation, and so each given language will be spoken at a pace that achieves this comfortable rate.
So it’s not that the syllable rate coincidentally results in the same information rate, but the opposite - the syllable rate adjusts to match the desired information rate.
Japan is like this too, and I loved to see that when I was living there.
The bus drivers often wear nice uniforms and white gloves, and clearly take a lot of care in their appearance and work. And people give them respect.
I wish it was like that everywhere, because being able to have pride in what you do and be respected for it is such an important thing that everyone deserves to have - regardless of what your job is.
I feel trypophobia quite strongly with some triggers, even things like budding plants pushing through the ground can make my akin crawl. But for some reason crumpets are okay.
I guess my brain just sees the crumpet texture as being like a macro bread texture, which is okay because it’s kinda bready.
In English too, the colloquial name for tardigrades is “water bears” :D
There are some ways in which the newer shows like Discovery are realistic, but there are also ways in which they are stupid.
For example, two federation officers in a life or death situation where they have two minutes to solve an urgent crisis, and they decide to spend 60 seconds of that having an emotional heart-to-heart.
If that was in TNG, they’d have got the job done like professionals, and then had the friends chat later in ten forward. Because that’s how people with jobs get their jobs done.
TNG era was quite cheesy in some ways, but it kept characters real in that they always acted appropriately for their role and position, not just like a bunch of emotional oddballs who get to be in charge of a spaceship for some reason.
I agree with all of that, pretty much.
If Asus or whoever else dropped a “steam deck killer” I’m pretty sure Valve wouldn’t even blink.
Valve didn’t make the deck because they wanted to make money on hardware. I expect very much they made it specifically because they wanted to encourage the move of steam gaming from the PC to the couch, and they needed some hardware to prove their point with - like with the Steam Link where they tried this before, and that time failed.
If it later ends up being other companies in the long run who make the hardware then no worries, the mission was already accomplished.
Even being prerendered, it was an intensely impressive game for 1993.
And it’s not like they didn’t have plenty of problems to solve.
Here’s an interesting interview with founder Rand Miller about developing Myst and how they were barely able to make it work due to the limitations of CD drives.
This is a tricky one, honestly, because the steam deck straddles the line between PC and console.
If you were a Sony fan, you’d be rightfully upset if Sony released a new PlayStstion every year, and made new games only for the new hardware. It’s just not long enough to feel the hardware has ran its lifespan, and you feel cheated.
Conversely in PCs, the expectation is that the hardware slowly improves constantly, and new hardware doesn’t stop you playing all the latest games on your old hardware; the only limiting factor is how far your old hardware can be pushed before the performance is too poor. And that is YOUR choice as a user, not an artificial choice imposed on you.
I’d expect that any Steam Deck 2 is going to be more like the PC model - it won’t create exclusives or stop people playing the new games on their old deck, it will simply be better and faster.
So on that basis I wouldn’t personally have a problem if Valve put out a deck every year.
All that said however, I think waiting several years is the smart business move. People have longer to enjoy their hardware while still feeling like they have the “latest model” - it’s psychologically better from the consumer perspective.
There may also be an argument that longer release cycles makes things less complicated for devs (less devices to test on) and also keeps the hardware going for longer, because devs will be incentivised to optimise performance for the current deck (which they might not be as much after a new one comes along)
I appreciate your point, but I still believe spelled-out numbers work better.
In prose, especially fiction writing, the ideal case is that the words themselves slide neatly out of the way and become invisible, leaving only a picture in the reader’s mind. Generally speaking, anything distracting is therefore counter-productive for fiction. Strange fonts and strange typesetting, while interesting, take the reader out of the prose. There’s a reason almost every fiction book you pick up from the shelf uses Garamond.
In an engineering context, remembering exactly “12 eggs, 6 toast” is probably the most important thing, and numeric digits assist in that. In fiction however it doesn’t matter if, by the next page, the reader has forgotten exactly how many eggs there were; the important aspect is to convey the sense of a large and chaotic family, and the overall impression is more important than the detail.
Thats why although the numbers are important for setting the scene, we really don’t want them to jump out and steal attention. We don’t want anything at all to have undue prominence, because the reader needs to process the paragraph as a cohesive whole, and see the scene, not the specific numbers.
Cooking is just applied chemistry, after all.
I feel like it’s also an outlook/mentality thing.
I personally am happy to take a few extra seconds parking, because I see it as spending time to make life easier, faster and safer for my future self when I come to leave.
Zooming in forwards is like “I care about now more than I care about later”
Context is everything, IMO.
In engineering work, numbers should always be digits. In prose, numbers should be spelled out.
Breakfast at the Thompson’s was a busy affair; 12 eggs and 6 rounds of toast for their 3 sets of boistrous twins.
Compared to
Breakfast at the Thompson’s was a busy affair; twelve eggs and six rounds of toast for their three sets of boistrous twins.
To me it’s pretty clear which of those reads better and more naturally as prose; digits really ‘jump out’ on the page, and while that is great for engineering texts, it is incongruent and distracting for prose.
From tiny companies of five people, to huge companies of five hundred thousand, I have never worked in an office where you couldn’t get a brew.
But then, I am British. Take the tea away and it’s riots (or at the least some quiet complaining)