It will be near the top of the list of fonts since it begins with “A”. I think that was what they were getting at.

Well, let’s face it: logistics and executive details aren’t something he is good at. He may have just assumed that since he said it, someone else would make it so. That is, as you say, “painfully on brand.”

Given the stated goals for this community and the tools that are currently available, this seems a reasonable approach. I do hope the need ends up being only temporary, but I think it is more important to preserve the core essence of what you are trying to build than allow it to fail due to outside problems.

I don’t think there is anything wrong with paying for what you consider to be value. I pay for Nebula for similar reasons. Similarly, I don’t have a problem with free services including modest ads to cover their costs and even make a profit.

I do have a problem with ads that have gotten so aggressive that the free experience becomes unusable. For many providers, I feel like they have lured in content creators by promising free access and then changed the bargain after the fact by making the free tier intolerable.

I think that kbin is very promising, but I feel like it is early days yet. Even if they don’t end up being the dominant platform, I feel like some of the features they are working on will persist.

YouTube is a great resource…it just seems weird how precarious it is. You have all these creators who have spent countless hours creating high quality content for them (and even more low quality content!) and all of it could go away in an instant depending on the whims of a large corporation. Sure, some people have managed to make a lot of money from their YouTube content…but not as much as Google has! They can change the rules any time they want and most of their creators have no recourse.

YouTube could disallow this kind of script any time that they wanted and what could Tom Scott do about it? I haven’t watched this video in a while, but I seem to recall it ties in with his thesis.

High quality creators (of which, Tom Scott is one) need to find ways to own their own distribution or at least get firm contractual control over the terms of its distribution. They are the engine that drive the YouTube economy and my guess is that most do not get to share in anything but crumbs of the revenue they bring in.

Neccessity is the mother of federation!

I was a piker and just hit the delete button without doing any of these things. Did I lose some history that, in retrospect, I might have wanted to revisit…honestly, no! I never went back and visited my old posts and (and I’m embarrassed to admit this), none of them were likely to have any value to future generations.

Some people post great, information rich posts about how to debug .NET applications or defuse nuclear weapons. I think my greatest contribution to Reddit was making a pun that once got 54 likes.

The important thing to remember is to delete your Reddit account (and hope that AskHistorians comes to the Fediverse eventually!).

uBlock Origin does a good job for me. On occasion, I will try watching YouTube on a platform where I don’t have it and I’m amazed how unwatchable it is. This reminds me to try to find alternate platforms for watching the creators I care about. Nebula is a good option for a lot of them, although it probably will never have the variety YouTube has. I haven’t tried PeerTube yet…I suspect I will run into the same issue.

Yeah. From what I understand, Giles Martin used the same technique (or, at least, a similar one) when making the 2022 remix of Revolver. The AI was able to make clean stems from the original tracks where the instruments were mixed. So, I would suspect that this technique was able to separate the vocal from tape hiss, room noise and other factors–it isn’t a deepfake of John Lennon.

I want to be enthusiastic about Secret Invasion…really, I do! But I would trade it all in a second for a second season of Moon Knight. I know that Moon Knight is kinda on the schedule, but I won’t be convinced it is happening until I see a trailer. There have been a lot of changes of at the House of Mouse, lately.

Honestly, as I get older, I appreciate seats with lots of leg room more and more. I got “theater knees” that would bother me more than the neck pain and retinal damage that probably comes with that seat.

It’s Nolan, so it’s going to be unbearably loud…it might as well be unbearably bright, right?