Precisely. I live near Yosemite National Park, and it would be an absolute disaster if there were enough hotels, campgrounds, and amenities to meet the demand. The demand FAR exceeds its capacity for tourists, but it would destroy the very reason for that demand if that actually happened.

So what did they do? Set rules for the number of tourists allowed in the park per day, and stuck to it.

Categories such as “education” are useful for limiting access for specific groups of devices. For example, if one class has a particularly mischievous group who keep going off task from their devices, rules can be created to whitelist certain categories, and only pass traffic that are in these more straightforward categories. Just FYI.

I work in K12 IT, and the reason is that all manner of categories are defined for both blacklisting and whitelisting when creating content filter rules. So while “education” would not be used for blocking, it would be useful for rules to apply to specific defined groups or devices which can only access specific categories (such as education). Just FYI.

Honestly, this baffles me. I work in K12 as a CTO, and when hiring techs or network admins, I always let applicants know during the interview when I will make the hiring decision, and they will receive an official letter of regret if they are not hired. I always keep resumes on file, as you never know if other opportunities come up. Why would any organization want to burn bridges with potential hires?

Maybe it’s just me being Gen X, but not hearing one way or the other would prompt me to pick up the phone, and at the very least check back to ask if they’ve made a decision after a week (maybe two) if I’ve interviewed…

Yes, that patented “Sure-Align” neck joint is one of the best features that drew me to the SC series initially. It’s great. I also love the neck profile - it’s very much like the electric guitars I’m accustomed to. It’s a fantastic instrument.

I mean, is there such a thing as a silent electric coffee grinder? I think I can live with it…lol.

My primary observation is that Baratza sells replacement parts for their grinders, and the parts are interchangeable in the Sette series, which I think is really cool.

Happy caffeinating!

Very nice. Did it come with those bellows, or was that aftermarket?

I also have the Virtuoso+, which was my first step beyond the blade grinders I had always used, and it’s a big upgrade. You’re going to really notice the difference in brews. Congratulations!

I did see this: Baratza single dose hopper with bellows. I don’t have one, but that may be something I get later. I suppose a bellows might be decent at getting the last bit of coffee out of the burrs. It’s not too expensive, so perhaps I’ll give it a try…

That’s the first guitar my parents ever got me - a 1983 Aria Pro IIrs “Wildcat.” Made in Japan (in the famed Matsumoku factory), it’s a Strat copy with dual humbucker pickups, and a push-pull volume knob that will coil-split either, for a good single-coil sound as well. For an inexpensive instrument (I think it was around $200 in 1983) it’s very well built. That’s why I’ve kept it all these years…

Time After Time is underrated. Mary Steenburgen and Malcolm McDowell. McDowell, playing H.G. Wells, invents the Time Machine, and then Jack the Ripper uses it to go to the future. H.G. Wells follows him to stop him, and he meets Steenburgen in “modern” times (the then-current 1980’s.)

Fun movie - a sci-fi thriller, I guess you’d call it. Still one of my favorites, too.

Thanks. I’m fortunate to live in the area, and just happened to be able to pull over and take this one. Not too bad for handheld, I think.

Thanks - I’ve never been to Maine before, so this was a fun trip. It was a bit cloudy when I was there (although not raining), and the colors weren’t as vibrant as they could be, so I made a choice to develop in black and white. But, here’s on in color, from the same day…

I’ve used so many picks over the years, but fairly recently, I’ve switched to the 1.5mm Classic Standard pick from Gravity Picks.

I bought a GHS Pedal (the Bonsai), and they shipped a Gravity unpolished standard pick with it. For some reason, I used it on whim, and I was hooked. I ended up buying custom picks from them, and always the Classic Standard 1.5mm unpolished. There’s something about the unpolished edge which gives me just enough bite, on either my acoustics or electrics.

Of course, as I’ve gotten older, I no longer like particularly flexible picks, which I used to favor as a younger player. As my picking technique has improved, I’ve found that non-flexible picks just work better for me, and the tone I like. And Gravity Picks just give me that. If you haven’t used them before, they’re worth trying, if you like thicker, less flexible picks.

Yes, they’re expensive. But, so worth it. Well, works for me, anyway. Cheers.

lol. Actually, that’s my son’s room that I turned into my mancave when he left for college. I’m just too lazy to repaint it…. :)

Heh. Entirely unintentional (I think - maybe it’s subconscious?). In 1990, I originally ordered a Clapton Strat in Midnight Blue, but it was taking so long I asked what they had in stock, and they had that Frost Red one, so I took that instead. I really wanted a blue Rickenbacker, but couldn’t find one on Reverb that I like (no chips or wear), so I ordered new from Sweetwater, and I liked Fireglo better than Jetglo or Mapleglo. The Ultra Strat - I really wanted an ash body, and that was the nicest color in the series with an ash body. I guess the red theme just sort of happened…