I wish they did like in the 1940s… Instead, current directors cannot shoot proper B&W and just rely on hackneyed gimmicks (I mean stuff like using the overly contrasted shade of a Venetian blind, smoke going through a ray of light, …). There is always too much white and too much black, which kills the range in between, unlike old movies and TV shows which are made of shades of grey where everything can be seen clearly; settings are not adapted either; anyway they have no idea of what they are shooting, they simply shoot in colour and then remove colours in post-processing like they do usually when they apply their stupid colour filter (blue-brown = Scandinavian police drama, lovat green = Germany, yellow = Mediterranean, blue = techno-thriller, etc.). Any low-rated chain-produced family entertainment TV series from the 50s and 60s, filmed by a random director from back then, exhibits a better B&W picture than those modern arty attempts.